Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 35
Shakespeare's way of writing verse is at odds with what we normally associate with either ' science ' or ' art ' . We do not have to accept the bardolaters ' illusions about ' piping his native wood - notes wild ' to agree that for ...
Shakespeare's way of writing verse is at odds with what we normally associate with either ' science ' or ' art ' . We do not have to accept the bardolaters ' illusions about ' piping his native wood - notes wild ' to agree that for ...
Page 83
book -a sort of prose handed down as a legacy from Dryden to the prose writers of the age of Queen Anne and the first Hanoverians . Thus we are in the position of congratulating prose writers of this period on their good fortune ...
book -a sort of prose handed down as a legacy from Dryden to the prose writers of the age of Queen Anne and the first Hanoverians . Thus we are in the position of congratulating prose writers of this period on their good fortune ...
Page 127
Shaftesbury in these passages argues that the difficulty of writing the philosophical dialogue in the early eighteenth century derived from a deep - seated intellectual insecurity in English society of that time - not the sort of thing ...
Shaftesbury in these passages argues that the difficulty of writing the philosophical dialogue in the early eighteenth century derived from a deep - seated intellectual insecurity in English society of that time - not the sort of thing ...
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote