Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 101
In the sixth dialogue of his Alciphron , or the Minute Philosopher ( 1732 ) , he makes one of his four speakers declare , To inspire , is a Word borrowed from the Latin , and strictly taken means no more than to breathe or blow in ...
In the sixth dialogue of his Alciphron , or the Minute Philosopher ( 1732 ) , he makes one of his four speakers declare , To inspire , is a Word borrowed from the Latin , and strictly taken means no more than to breathe or blow in ...
Page 168
Thou didst thy quick'ning spirit breathe , Though I be taken from beneath , And but refin'd from earth . Thine eyes review'd th ' imperfect sketch Ere yet my limbs began to stretch And were for action ripe ; Before my members were of ...
Thou didst thy quick'ning spirit breathe , Though I be taken from beneath , And but refin'd from earth . Thine eyes review'd th ' imperfect sketch Ere yet my limbs began to stretch And were for action ripe ; Before my members were of ...
Page 296
... that certain metres , certain rhetorical figures , a certain vocabulary , go along with elegy , certain others with satire , the poet can expect his reader to understand quite quickly how any one poem he writes is to be taken ' .
... that certain metres , certain rhetorical figures , a certain vocabulary , go along with elegy , certain others with satire , the poet can expect his reader to understand quite quickly how any one poem he writes is to be taken ' .
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote