Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 23
If Ralegh was thinking of the poem as written in quatrains ( as he surely was , despite occasional five - line stanzas , tercets , and unattached couplets like this one ) there can be no doubt that this represents a place where Ralegh ...
If Ralegh was thinking of the poem as written in quatrains ( as he surely was , despite occasional five - line stanzas , tercets , and unattached couplets like this one ) there can be no doubt that this represents a place where Ralegh ...
Page 134
For instance the body .. bruised to pleasure soul ' is surely a sort of shorthand not just for the flagellations and mortifications of religious asceticism , but also for that Romantic tradition of sexual passion which comes from the ...
For instance the body .. bruised to pleasure soul ' is surely a sort of shorthand not just for the flagellations and mortifications of religious asceticism , but also for that Romantic tradition of sexual passion which comes from the ...
Page 311
And it is surely true that Wordsworth in practice all too often took over from demotic speech one feature that the language of poetry can not tolerate : that's to say , garrulity . ( Wordsworth is a great poet , however ; though neither ...
And it is surely true that Wordsworth in practice all too often took over from demotic speech one feature that the language of poetry can not tolerate : that's to say , garrulity . ( Wordsworth is a great poet , however ; though neither ...
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote