Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 26
once again the sort of giddiness in which we see things turn into their opposites , until our heads swim . But the passage from Eliot prompts other and more far - reaching reflections . It would not make our heads swim if it were not ...
once again the sort of giddiness in which we see things turn into their opposites , until our heads swim . But the passage from Eliot prompts other and more far - reaching reflections . It would not make our heads swim if it were not ...
Page 29
It provokes a sort of implicated bewilderment in the reader , who asks himself with dizzied anxiety how one supposedly logical because grammatical sentence has led him so far from its own starting - point . His bewilderment continues as ...
It provokes a sort of implicated bewilderment in the reader , who asks himself with dizzied anxiety how one supposedly logical because grammatical sentence has led him so far from its own starting - point . His bewilderment continues as ...
Page 49
And the implication is plain : if the distinction between admiration and fear is , as Milton conveys it , a sort of footnote , then this is a sort of poem in which the footnotes matter more than the text . The story , the narrative ...
And the implication is plain : if the distinction between admiration and fear is , as Milton conveys it , a sort of footnote , then this is a sort of poem in which the footnotes matter more than the text . The story , the narrative ...
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote