Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 22
a Blossumes of pride that cann nor vade nor fall ... , lines 193-200 , and also 200-212 , being false starts intended for later deletion or else transference elsewhere . There are marks in the manuscript against both these passages ...
a Blossumes of pride that cann nor vade nor fall ... , lines 193-200 , and also 200-212 , being false starts intended for later deletion or else transference elsewhere . There are marks in the manuscript against both these passages ...
Page 48
Neither kinetic and dramatic effect , as in the lines on Satan's fall , nor narrative and musical effect , as in the invocation to Light , are in evidence at all frequently as we read Paradise Lost . For example : Others with vast ...
Neither kinetic and dramatic effect , as in the lines on Satan's fall , nor narrative and musical effect , as in the invocation to Light , are in evidence at all frequently as we read Paradise Lost . For example : Others with vast ...
Page 260
These are famous lines which we try to read with due solemnity , however their doctrine may outrage us . But perhaps we give them more solemnity than is due . For put them back in their contexts , and willy - nilly they read jauntily ...
These are famous lines which we try to read with due solemnity , however their doctrine may outrage us . But perhaps we give them more solemnity than is due . For put them back in their contexts , and willy - nilly they read jauntily ...
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote