Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
From inside the book
Results 1-3 of 71
Page 32
If you try to imitate Shakespeare you will certainly produce a series of stilted , forced , and violent distortions of language . The language of each great English poet is his own language ; the language of Dante is the perfection of a ...
If you try to imitate Shakespeare you will certainly produce a series of stilted , forced , and violent distortions of language . The language of each great English poet is his own language ; the language of Dante is the perfection of a ...
Page 95
If we follow the clue provided by Mallarmé , his reminder that poetry is made not of ideas but of words , we see the creative writer as a marauder , who ransacks the language of his own time and earlier , looking for words which are ...
If we follow the clue provided by Mallarmé , his reminder that poetry is made not of ideas but of words , we see the creative writer as a marauder , who ransacks the language of his own time and earlier , looking for words which are ...
Page 310
It invites us for instance to envisage the inherited language , the poet's medium as the poet apprehends it in the act of composing , as something no less bleakly confronting , no more negotiable , than the cliff of Carrara marble that ...
It invites us for instance to envisage the inherited language , the poet's medium as the poet apprehends it in the act of composing , as something no less bleakly confronting , no more negotiable , than the cliff of Carrara marble that ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
23 other sections not shown
Other editions - View all
Common terms and phrases
Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote