Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 44
... effect . One wants instead to speak of ' muscularity ' , using ' muscular ' , however , in a special sense , dif- ferent from ( because more literal than ) the sense in which we can justly speak of other poetry as ' muscular ' . The effect ...
... effect . One wants instead to speak of ' muscularity ' , using ' muscular ' , however , in a special sense , dif- ferent from ( because more literal than ) the sense in which we can justly speak of other poetry as ' muscular ' . The effect ...
Page 48
... effects as those of the invocation to Light . What is surprising is that these effects are rather the exception than the rule . Neither kinetic and dramatic effect , as in the lines on Satan's fall , nor narrative and musical effect ...
... effects as those of the invocation to Light . What is surprising is that these effects are rather the exception than the rule . Neither kinetic and dramatic effect , as in the lines on Satan's fall , nor narrative and musical effect ...
Page 143
... effect of ' sincere , more ignorant , and less mercurial ' , by which we are swayed one way by ' more ignorant ' only to be swayed back by ' less mercu- rial ' , is to produce in us a sort of self - balancing erectness that is rightly ...
... effect of ' sincere , more ignorant , and less mercurial ' , by which we are swayed one way by ' more ignorant ' only to be swayed back by ' less mercu- rial ' , is to produce in us a sort of self - balancing erectness that is rightly ...
Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson kind language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote