Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 155
... mechanical or connotes squalor , but simply because it is particular ; hearing the generality of Augustan diction thus jarred upon , we are made unusually aware of how powerfully a sustained generality of diction may work upon us .
... mechanical or connotes squalor , but simply because it is particular ; hearing the generality of Augustan diction thus jarred upon , we are made unusually aware of how powerfully a sustained generality of diction may work upon us .
Page 194
313-34 ) a The diction is very stilted . Modern prejudices in favour of the colloquial will prompt us to say that the language is at no point in touch with spoken usage . But this is plainly untrue : ' I see the lords of human kind pass ...
313-34 ) a The diction is very stilted . Modern prejudices in favour of the colloquial will prompt us to say that the language is at no point in touch with spoken usage . But this is plainly untrue : ' I see the lords of human kind pass ...
Page 217
( Letters , III , 13 ) A critic who sees in poetic diction no more than a ' certain traditional decorum of language , a necessary convention ( and a necessarily changing one ) about the use of words in poetry ' , 2 will be at a loss to ...
( Letters , III , 13 ) A critic who sees in poetic diction no more than a ' certain traditional decorum of language , a necessary convention ( and a necessarily changing one ) about the use of words in poetry ' , 2 will be at a loss to ...
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote