Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 125
Berkeley's achievement in the Three Dialogues can be valued at the rate it deserves if that work is compared with Shaftesbury's The ... placed in another sense , so as to quell our disquiets about them - by rising out of dialogue .
Berkeley's achievement in the Three Dialogues can be valued at the rate it deserves if that work is compared with Shaftesbury's The ... placed in another sense , so as to quell our disquiets about them - by rising out of dialogue .
Page 127
and the point is made that in such an age as Shaftesbury's the philosophical dialogue could be written only by swimming against the current , by taking few hints from the actual conduct of conversations and disputations and many more ...
and the point is made that in such an age as Shaftesbury's the philosophical dialogue could be written only by swimming against the current , by taking few hints from the actual conduct of conversations and disputations and many more ...
Page 131
And in Mandeville's own dialogues his Antonio is far more of a man of straw , far less credible , than either Lysicles and Alciphron . Mandeville seems to have grown tired of the dialogue form as he proceeded with it , for the character ...
And in Mandeville's own dialogues his Antonio is far more of a man of straw , far less credible , than either Lysicles and Alciphron . Mandeville seems to have grown tired of the dialogue form as he proceeded with it , for the character ...
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote