Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 114
And for an example which will draw together as many as possible of the threads I have unravelled , I shall do better to withdraw into the period I defined . This , then , is from Berkeley again – not from the elated and innocent ...
And for an example which will draw together as many as possible of the threads I have unravelled , I shall do better to withdraw into the period I defined . This , then , is from Berkeley again – not from the elated and innocent ...
Page 246
But it is better to avoid giving any impression that great literature is a matter of detachable purple passages . On the contrary , what makes the Discourses an achievement of the literary imagination is something much more nearly ...
But it is better to avoid giving any impression that great literature is a matter of detachable purple passages . On the contrary , what makes the Discourses an achievement of the literary imagination is something much more nearly ...
Page 268
The same is true of ' Michael ' , even though the verse as such is a little better , and in particular gets off to a better start . ( At this period , Wordsworth's attempts to ' lead in ' to his subject are lamentable , and the first ...
The same is true of ' Michael ' , even though the verse as such is a little better , and in particular gets off to a better start . ( At this period , Wordsworth's attempts to ' lead in ' to his subject are lamentable , and the first ...
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote