Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 34
... believe , it is only a few bad and fake poets who preen themselves upon their alienation from the society at large , and exult in it . To most of us I think it is a fairly constant source of distress and depression ; something we would ...
... believe , it is only a few bad and fake poets who preen themselves upon their alienation from the society at large , and exult in it . To most of us I think it is a fairly constant source of distress and depression ; something we would ...
Page 100
... believe in this complicated clas- sification , his talk of ' fluids ' and ' spirits ' shows him still thinking in Elizabethan terms . And indeed his contemporary John Locke still speaks of ' the animal spirits ' quite unmetaphorically ...
... believe in this complicated clas- sification , his talk of ' fluids ' and ' spirits ' shows him still thinking in Elizabethan terms . And indeed his contemporary John Locke still speaks of ' the animal spirits ' quite unmetaphorically ...
Page 227
... believe this if we hold it as an act of faith that muddle is worse than clarity . ( Not all poets and readers of poetry do hold this some will explicitly prefer a warm damp muddle to a hard dry clarity ; and to them I have nothing to ...
... believe this if we hold it as an act of faith that muddle is worse than clarity . ( Not all poets and readers of poetry do hold this some will explicitly prefer a warm damp muddle to a hard dry clarity ; and to them I have nothing to ...
Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson kind language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote