Older Masters: Essays and Reflections on English and American LiteratureDonald Davie's major essays on British and American writers from Chaucer to Browning. |
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Page 78
But , to return to ' Nature ' , Dryden's view of it appears most plainly when he defends rhyming repartee : But you tell us , this supplying the last half of a verse , or adjoining a whole second to the former , looks more like the ...
But , to return to ' Nature ' , Dryden's view of it appears most plainly when he defends rhyming repartee : But you tell us , this supplying the last half of a verse , or adjoining a whole second to the former , looks more like the ...
Page 111
The case is quite different when we are dealing with a writer whose conscious intention appears to be to refute the whole materialistic thesis . Swift is such a writer . And when we discover in him the image of the body politic and the ...
The case is quite different when we are dealing with a writer whose conscious intention appears to be to refute the whole materialistic thesis . Swift is such a writer . And when we discover in him the image of the body politic and the ...
Page 282
which appears in the passage about the battlefield . It is this , an energy of apprehension which , so far from running wild , seeks out of itself the structures to control it , which makes a piece of writing masculine or manly ...
which appears in the passage about the battlefield . It is this , an energy of apprehension which , so far from running wild , seeks out of itself the structures to control it , which makes a piece of writing masculine or manly ...
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Contents
Chaucer and One Idea of Englishness 1972 | 7 |
A Reading of The Oceans Love to Cynthia 1960 | 13 |
Shakespeare and the Practising Poet Today 1976 | 31 |
Copyright | |
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Adams admired appears argument believe Berkeley better body called century certainly comes contrary course criticism death dialogue diction distinction Dryden effect eighteenth eighteenth-century England English essay example experience expression fact feel figure follows force give hand human idea imagination important instance interest John Johnson language later laws learned least Ledyard less lines literary literature lived London look matter means metaphor mind nature never object once passage perhaps period person philosopher poem poet poetic poetry political Pope possible present principle prose question reader reason rhetoric seems seen sense Shakespeare Smart society sort speak spirit stand stanza style surely taken Taylor things thought tion tradition true turn verse whole Wordsworth writing wrote