The Philosophy of Modern Literary TheoryA remarkable, systematic reconstruction of the philosophical and aesthetic foundations of the major literary theories, from Anglo-American New Criticism to Deconstruction and Postmodernism. The book ranges across not just the philosophical underpinnings of English Literature but also the critical literatures of Eastern Europe, France, Germany, Italy and North America. For the first time, the major schools of literary theory are set within their philosophical context. The book is likely to become the standard introduction to the study of literary theory. |
From inside the book
Results 1-3 of 36
Page 3
... conceptualisation is inextricably tied up with the nexus of the expression plane and the content plane in the sense ... conceptualise the notion of the Beautiful , which he mainly associated with nature , he designated a category ...
... conceptualisation is inextricably tied up with the nexus of the expression plane and the content plane in the sense ... conceptualise the notion of the Beautiful , which he mainly associated with nature , he designated a category ...
Page 25
... conceptualisation . Ewa Thompson quite correctly defines the common denominator of the two literary theories when she explains : ' Thus the evolution of concepts in both critical movements had a Kantian basis . '29 She reminds us of the ...
... conceptualisation . Ewa Thompson quite correctly defines the common denominator of the two literary theories when she explains : ' Thus the evolution of concepts in both critical movements had a Kantian basis . '29 She reminds us of the ...
Page 101
... conceptualisation of art , Adorno refuses to acknowledge Kant's maxim ' without concept ' , for he expects art to criticise society and express truth in what he calls truth content or Wahrheitsgehalt . In this respect he remains a ...
... conceptualisation of art , Adorno refuses to acknowledge Kant's maxim ' without concept ' , for he expects art to criticise society and express truth in what he calls truth content or Wahrheitsgehalt . In this respect he remains a ...
Contents
THE PHILOSOPHICAL AND AESTHETIC | 1 |
From Romanticism and Young Hegelianism to Nietzsche | 9 |
ANGLOAMERICAN NEW CRITICISM | 17 |
Copyright | |
24 other sections not shown
Other editions - View all
Common terms and phrases
Adorno aesthetic object aesthetic theory ambivalence analysed aporia argues artistic attempt autonomy avant-garde Bakhtin Barthes Benjamin chap chapter character concept conceptualisation considered content plane context contradictions Critical Theory criticises critique Croce culture Czech Structuralism deconstruction deconstructionist defined Derrida dialectic différance discourse domination explains expression plane Formalists function Futurist global Goldmann Greimas Hartman Hegel heterogeneous Hillis Miller historical Ibid idea ideology indeterminacy Ingarden interpretation interpretive communities Iser isotopies iterability Jakobson Jauss Kant Kant's Kantian language linguistic literary criticism literary text literary theory logocentrism Lukács Lyotard Mallarmé Marx Marxist meaning metaphor metaphysical Miller Mukařovský narrative negative Nietzsche Nietzschean norms notion novel Paris particular perspective philosophy phonetic poem poetic poetry point of view political polysemy postmodern postulate radical rationalist reader reader-response criticism realise rhetorical Russian Formalism Russian Formalists semantic sememes semiotic sense signifier social sociolects Sublime textual theoretical totality truth University Press univocal Vischer words Young Hegelian