The Philosophy of Modern Literary TheoryA remarkable, systematic reconstruction of the philosophical and aesthetic foundations of the major literary theories, from Anglo-American New Criticism to Deconstruction and Postmodernism. The book ranges across not just the philosophical underpinnings of English Literature but also the critical literatures of Eastern Europe, France, Germany, Italy and North America. For the first time, the major schools of literary theory are set within their philosophical context. The book is likely to become the standard introduction to the study of literary theory. |
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Page 12
... artistic form ( ' sinnliches Scheinen der Idee ' ) and Kant's ' ohne Begriff . The sixth chapter will show to what extent Adorno considers both the Hegelian and the Kantian position as reductionist : Hegel may be right in stressing the ...
... artistic form ( ' sinnliches Scheinen der Idee ' ) and Kant's ' ohne Begriff . The sixth chapter will show to what extent Adorno considers both the Hegelian and the Kantian position as reductionist : Hegel may be right in stressing the ...
Page 47
... artistic structure contains , the weaker its individuality , the more it approaches the general , impersonal convention.'27 Artistic originality and innovation thus appear to be inextricably tied up with the contradictions of artistic ...
... artistic structure contains , the weaker its individuality , the more it approaches the general , impersonal convention.'27 Artistic originality and innovation thus appear to be inextricably tied up with the contradictions of artistic ...
Page 98
... artistic experience into everyday life . About Breton's Nadja , Benjamin writes : ' Nadja is an exponent of these masses and of that which inspires them in a revolutionary sense . '23 In other words : Benjamin believes that Breton's ...
... artistic experience into everyday life . About Breton's Nadja , Benjamin writes : ' Nadja is an exponent of these masses and of that which inspires them in a revolutionary sense . '23 In other words : Benjamin believes that Breton's ...
Contents
THE PHILOSOPHICAL AND AESTHETIC | 1 |
From Romanticism and Young Hegelianism to Nietzsche | 9 |
ANGLOAMERICAN NEW CRITICISM | 17 |
Copyright | |
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Adorno aesthetic object aesthetic theory ambivalence analysed aporia argues artistic attempt autonomy avant-garde Bakhtin Barthes Benjamin chap chapter character concept conceptualisation considered content plane context contradictions Critical Theory criticises critique Croce culture Czech Structuralism deconstruction deconstructionist defined Derrida dialectic différance discourse domination explains expression plane Formalists function Futurist global Goldmann Greimas Hartman Hegel heterogeneous Hillis Miller historical Ibid idea ideology indeterminacy Ingarden interpretation interpretive communities Iser isotopies iterability Jakobson Jauss Kant Kant's Kantian language linguistic literary criticism literary text literary theory logocentrism Lukács Lyotard Mallarmé Marx Marxist meaning metaphor metaphysical Miller Mukařovský narrative negative Nietzsche Nietzschean norms notion novel Paris particular perspective philosophy phonetic poem poetic poetry point of view political polysemy postmodern postulate radical rationalist reader reader-response criticism realise rhetorical Russian Formalism Russian Formalists semantic sememes semiotic sense signifier social sociolects Sublime textual theoretical totality truth University Press univocal Vischer words Young Hegelian