The Philosophy of Modern Literary TheoryA remarkable, systematic reconstruction of the philosophical and aesthetic foundations of the major literary theories, from Anglo-American New Criticism to Deconstruction and Postmodernism. The book ranges across not just the philosophical underpinnings of English Literature but also the critical literatures of Eastern Europe, France, Germany, Italy and North America. For the first time, the major schools of literary theory are set within their philosophical context. The book is likely to become the standard introduction to the study of literary theory. |
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Page 17
P. V. Zima. CHAPTER 2. Anglo. -. American. New. Criticism. and. Russian Formalism In spite of all the differences between Russian Formalism , which was inspired by the verbal experiments of the Futurists , and Anglo- American New Criticism ...
P. V. Zima. CHAPTER 2. Anglo. -. American. New. Criticism. and. Russian Formalism In spite of all the differences between Russian Formalism , which was inspired by the verbal experiments of the Futurists , and Anglo- American New Criticism ...
Page 24
... Russian Formalists only have an eye for the how , for the question how literature is written or composed ; they completely neglect the questions why it is written in a particular social set - up and what political aims or interests it ...
... Russian Formalists only have an eye for the how , for the question how literature is written or composed ; they completely neglect the questions why it is written in a particular social set - up and what political aims or interests it ...
Page 125
... Russian Formalism ( cf. chap . 2 ) and of Roman Jakobson . Like Roman Jakobson , the Kantian linguist , the author ... Formalists and the young Roman Jakobson whose texts he knew , his defence of artistic autonomy is motivated by an avant - ...
... Russian Formalism ( cf. chap . 2 ) and of Roman Jakobson . Like Roman Jakobson , the Kantian linguist , the author ... Formalists and the young Roman Jakobson whose texts he knew , his defence of artistic autonomy is motivated by an avant - ...
Contents
THE PHILOSOPHICAL AND AESTHETIC | 1 |
From Romanticism and Young Hegelianism to Nietzsche | 9 |
ANGLOAMERICAN NEW CRITICISM | 17 |
Copyright | |
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Adorno aesthetic object aesthetic theory ambivalence analysed aporia argues artistic attempt autonomy avant-garde Bakhtin Barthes Benjamin chap chapter character concept conceptualisation considered content plane context contradictions Critical Theory criticises critique Croce culture Czech Structuralism deconstruction deconstructionist defined Derrida dialectic différance discourse domination explains expression plane Formalists function Futurist global Goldmann Greimas Hartman Hegel heterogeneous Hillis Miller historical Ibid idea ideology indeterminacy Ingarden interpretation interpretive communities Iser isotopies iterability Jakobson Jauss Kant Kant's Kantian language linguistic literary criticism literary text literary theory logocentrism Lukács Lyotard Mallarmé Marx Marxist meaning metaphor metaphysical Miller Mukařovský narrative negative Nietzsche Nietzschean norms notion novel Paris particular perspective philosophy phonetic poem poetic poetry point of view political polysemy postmodern postulate radical rationalist reader reader-response criticism realise rhetorical Russian Formalism Russian Formalists semantic sememes semiotic sense signifier social sociolects Sublime textual theoretical totality truth University Press univocal Vischer words Young Hegelian