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THE

PREFACE

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Long and uniform discourse, with a series of abftract Rules, foon tires and fatigues the Reader. Efpecially if you add the frequent Definitions, Divifions, and Terms of Art, which have naturally place in fuch a difcourfe; and above all, the tedious Accuracy of Analytical Tables, and the like Schemes. A meer diftinction of Chapters ferves but little in fo dry a method of reafoning, and does not fufficiently unbend the application. The Reader is apt to be diffatisfied with hearing the

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