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By foreign hands thy dying eyes were clos'd,
By foreign hands thy decent limbs compos'd,
By foreign hands thy humble grave adorn'd,
By strangers honour'd, and by strangers mourn'd!
What though no friends in sable weeds appear,
Grieve for an hour, perhaps, then mourn a year;
And bear about the mockery of woe

To midnight dances, and the public show?
What though no weeping loves thy ashes grace,
Nor polish'd marble emulate thy face?

What though no sacred earth allow thee room,
Nor hallow'd dirge be mutter'd o'er thy tomb?
Yet shall thy grave with rising flowers be dress'd,
And the green turf lie lightly on thy breast:
There shall the morn her earliest tears bestow,
There the first roses of the year shall blow;
While angels with their silver wings o'ershade
The ground, now sacred by thy relics made.
So peaceful rests, without a stone, a name,
What once had beauty, titles, wealth, and fame.
How lov'd, how honour'd once, avails thee not,
To whom related, or by whom begot;

A heap of dust alone remains of thee;
Tis all thou art, and all the proud shall be !

Poets themselves must fall like those they sung,
Deaf the prais'd ear, and mute the tuneful tongue.
Ev'n he, whose soul now melts in mournful lays,
Shall shortly want the generous tear he pays;
Then from his closing eyes thy form shall part,
And the last pang shall tear thee from his heart;
Life's idle business at one gasp be o'er,

The muse forgot, and thou belov'd no more!

1

THE

RAPE OF THE LOCK.

Nolueram, Belinda, tuos violare capillos;
Sed juvat, hoc precibus me tribuisse tuis,

MART.

WH

CANTO I.

HAT dire offence from amorous causes springs, What mighty contests rise from trivial things, I sing This verse to Caryl, muse! is due: This, ev'n Belinda may vouchsafe to view: Slight is the subject, but not so the praise, If she inspire, and he approve my lays.

Say what strange motive, goddess! could compel A well-bred lord to' assault a gentle belle ? O say what strauger cause, yet unexplor'd, Could make a gentle belle reject a lord? In tasks so bold can little men engage, And in soft bosoms dwells such mighty rage?

Sol through white curtains shot a timorous ray, And op'd those eyes that must eclipse the day. Now lap-dogs give themselves the rouzing shake, And sleepless lovers, just at twelve, awake:

Thrice rung the bell, the slipper knock'd the ground,
And the press'd watch return'd a silver sound.
Belinda still her downy pillow prest,

Her guardian sylph prolong'd the balmy rest:
"Twas he had summon'd to her silent bed
The morning-dream that hover'd o'er her head:
A youth more glittering than a birth-night beau,
(That e'en in slumber caus'd her cheek to glow)

Seem'd to her ear his winning lips to lay,
And thus in whispers said, or seem'd to say:
"Fairest of mortals, thou distinguish'd care
Of thousand bright inhabitants of air!

If e'er one vision touch'd thy infant thought,
Of all the nurse and all the priest have taught;
Of airy elves by moonlight-shadows seen,

The silver token, and the circled green,

Or virgins visited by angel powers,

With golden crowns and wreaths of heavenly flowers;
Hear and believe! thy own importance know,
Nor bound thy narrow views to things below.
Some secret truths, from learned pride conceal'd,
To maids alone and children are reveal'd;
What though no credit doubting wits may give?
The fair and innocent shall still believe.
Know then, unnumber'd spirits round thee fly,
The light militia of the lower sky:

These, though unseen, are ever on the wing,
Hang o'er the box, and hover round the ring.
Think what an equipage thou hast in air,
And view with scorn two pages and a chair.
As now your own, our beings were of old,
And once inclos'd in woman's beauteous mould;
Thence, by a soft transition, we repair
From earthly vehicles to those of air.

Think not, when woman's transient breath is fled,
That all her vanities at once are dead;
Succeeding vanities she still regards,

And, tho' she plays no more, o'erlooks the cards.
Her joy in gilded chariots, when alive,
And love of ombre, after death survive.
For when the fair in all their pride expire,
To their first elements their souls retire:
The sprites of fiery termagants in flame
Mount up, and take a salamander's name.
Soft yielding minds to water glide away,
And sip, with nymphs, their elemental tea.
The graver prude sinks downward to a gnome,
In search of mischief still on earth to roam.

The light coquettes in sylphs aloft repair,
And sport and flutter in the fields of air.

"Know further yet; whoever fair and chaste Rejects mankind, is by some sylph embrac'd : For spirits, freed from mortal laws, with ease Assume what sexes and what shapes they please. What guards the purity of melting maids, In courtly balls, and midnight masquerades, Safe from the treacherous friend, the daring spark, The glance by day, the whisper in the dark; When kind occasion prompts their warm desires, When music softens, and when dancing fires? 'Tis but their sylph, the wise celestials know, Though honour is the word with men below. "Some nymphs there are,too conscious of their face, For life predestin'd to the gnomes' embrace. These swell their prospects and exalt their pride, When offers are disdain'd, and love denied: Then gay ideas crowd the vacant brain,

While peers, and dukes, and all their sweeping train,
And garters, stars, and coronets appear,

And in soft sounds, Your Grace' salutes their ear.
"Tis these that early taint the female soul,
Instruct the eyes of young coquettes to roll,
Teach infant cheeks a bidden blush to know,
And little hearts to flutter at a beau.

"Oft, when the world imagine women stray, The sylphs through mystic mazes guide their way; Through all the giddy circle they pursue,

And old impertinence expel by new.

What tender maid but must a victim fall
To one man's treat, but for another's ball?

When Florio speaks, what virgin could withstand,
If gentle Damon did not squeeze her hand?
With varying vanities, from every part,

They shift the moving toy-shop of their heart; Where wigs with wigs, with sword-knots swordknots strive,

Beaux banish beaux, and coaches coaches drive.

This erring mortals levity may call ;

Oh blind to truth! the sylphs contrive it all.
"Of these am I, who thy protection claim,
A watchful sprite, and Ariel is my name.
Late, as I rang'd the crystal wilds of air,
In the clear mirror of thy ruling star,
I saw, alas! some dread event impend,
Ere to the main this morning sun descend,
But Heav'n reveals not what, or how, or where:
Warn'd by thy sylph, O pious maid, beware!
This to disclose is all thy guardian can :

Beware of all, but most beware of man!"

He said; when Shock, who thought she slept too long, Leap'd up, and wak'd his mistress with his tongue. 'Twas then, Belinda, if report say true,

Thy eyes first open'd on a billet-doux ;

Wounds, charms, and ardours, were no sooner read, But all the vision vanish'd from thy head.

And now, unveil'd, the toilet stands display'd, Each silver vase in mystic order laid.

First, rob'd in white, the nymph intent adores,
With head uncover'd, the cosmetic pow'rs.
A heavenly image in the glass appears,
To that she bends, to that her eyes she rears;
The' inferior priestess, at her altar's side,
Trembling begins the sacred rites of pride.
Unnumber'd treasures ope at once, and here
The various offerings of the world appear;
From each she nicely culls with curious toil,
And decks the goddess with the glittering spoil.
This casket India's glowing gems unlocks,
And all Arabia breathes from yonder box.
The tortoise here and elephant unite,

Transform'd to combs, the speckled, and the white,
Here files of pins extend their shining rows,
ruffs, powders, patches, bibles, billet doux.
Now awful beauty puts on all its arms;
The fair each moment rises in her charms,
Repairs her smiles, awakens every grace,
And calls forth all the wonders of her face;

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