John Dryden

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Oxford University Press, 1994 - Literary Criticism - 269 pages
John Dryden was the most illustrious poet of his day; the publication of his Works of Virgil was nothing less than a national event. He was in the public eye for some forty years, holding positions at court for a long period. Dryden wrote more, and in more genres than any of his contemporaries, was praised for his bold, straightforward, and energetic style, and produced the first body of what we now call "criticism" in English.
This new selection, prepared by the eminent Dryden scholar Keith Walker, represents the full range of Dryden's poetic talent, and pays particular attention to his translations, which formed the backbone of his poetic output. These translations more than anything re-energized English verse and pointed to new possiblities for later poets.

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Contents

From Absalom and Achitophel
6
The Latter Part of the Third Book of Lucretius
29
The First Book of Ovids Metamorphoses
62
Copyright

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About the author (1994)

Born August 9, 1631 into a wealthy Puritan family, John Dryden received an excellent education at Westminster School and Cambridge University. After a brief period in government, he turned his attention almost entirely to writing. Dryden was one of the first English writers to make his living strictly by writing, but this meant he had to cater to popular taste. His long career was astonishingly varied, and he turned his exceptional talents to almost all literary forms. Dryden dominated the entire Restoration period as a poet, playwright, and all-round man of letters. He was the third poet laureate of England. In his old age Dryden was virtually a literary "dictator" in England, with an immense influence on eighteenth-century poetry. His verse form and his brilliant satires became models for other poets, but they could rarely equal his standard. Dryden was also a master of "occasional" poetry - verse written for a specific person or special occasion. Like most poets of his time, Dryden saw poetry as a way of expressing ideas rather than emotions, which makes his poetry seem cool and impersonal to some modern readers. Dryden also wrote numerous plays that helped him make him one of the leading figures in the Restoration theatre. Today, however he is admired more for his influence on other writers than for his own works. He died on April 30, 1700 in London.

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