The Centennial Review: CR., Volume 7College of Arts and Letters, Michigan State University, 1963 - Literature |
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Page 157
... drama , though it is not synonymous with drama . But our point here is that the difference it makes lies not in its use of the present tense , but in its sensory actualization of events . We remain therefore with our hard - core ...
... drama , though it is not synonymous with drama . But our point here is that the difference it makes lies not in its use of the present tense , but in its sensory actualization of events . We remain therefore with our hard - core ...
Page 158
... drama because the persons debating ( or the one person debating with himself ) remain uninvolved . The form of question - and- answer , or argument - against - argument , is singularly amenable to drama ; a touch by the artist will make ...
... drama because the persons debating ( or the one person debating with himself ) remain uninvolved . The form of question - and- answer , or argument - against - argument , is singularly amenable to drama ; a touch by the artist will make ...
Page 170
... Drama . N. Y. , 1937 . Ashley Dukes : Drama , N. Y. , 1927 . U. M. Ellis - Fermor : Frontiers of Drama . N. Y. , 1946 . Willi Flemming : Epik und Dramatik . München , 1955 . Gustav Freytag : Technique of the Drama , tr . E. J. MacEwan ...
... Drama . N. Y. , 1937 . Ashley Dukes : Drama , N. Y. , 1927 . U. M. Ellis - Fermor : Frontiers of Drama . N. Y. , 1946 . Willi Flemming : Epik und Dramatik . München , 1955 . Gustav Freytag : Technique of the Drama , tr . E. J. MacEwan ...
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