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Page 103
... whole Claufe or Sentence fhould , in the fame Man- ner , be adapted to its Importance in the whole Difcourfe , It is to be observed , nevertheless , that Emphasis doth not con- fift in lengthening the Syllable , as these Writers ...
... whole Claufe or Sentence fhould , in the fame Man- ner , be adapted to its Importance in the whole Difcourfe , It is to be observed , nevertheless , that Emphasis doth not con- fift in lengthening the Syllable , as these Writers ...
Page 148
... Whole , Whole Body Nature is , and God the Soul ; That chang'd through all , and yet in all the fame , Great in the Earth , as in th ' Æthereal Frame ; Warms in the Sun , refreshes in the Breeze , Glows in the Stars , and bloffoms in ...
... Whole , Whole Body Nature is , and God the Soul ; That chang'd through all , and yet in all the fame , Great in the Earth , as in th ' Æthereal Frame ; Warms in the Sun , refreshes in the Breeze , Glows in the Stars , and bloffoms in ...
Page 280
... whole Force " of Conviction breaks upon the Mind , " and now allows you fair Scope to play $ 6 upon every tender and paffionate String , " that belongs to the Heart of Man . " Then be fure to feel every Sentiment " yourself , and to ...
... whole Force " of Conviction breaks upon the Mind , " and now allows you fair Scope to play $ 6 upon every tender and paffionate String , " that belongs to the Heart of Man . " Then be fure to feel every Sentiment " yourself , and to ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written