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Page 94
... tion ; if on the fecond , ar - tic - u - là - tion ; but we never fay , ar - ti - cu - la - tion : For , in order to render any derivative Word ( as Polyfylla- bles moftly are ) intelligible , it is abfo- lutely neceffary to lay one ...
... tion ; if on the fecond , ar - tic - u - là - tion ; but we never fay , ar - ti - cu - la - tion : For , in order to render any derivative Word ( as Polyfylla- bles moftly are ) intelligible , it is abfo- lutely neceffary to lay one ...
Page 97
... tion of a Syllable ; for if a Syllable be , as they fay , those compleat and distinct Souva's which unite in the Forma- tion of Words , almost all the Rules they lay down for dividing Words into Syllables , are falfe . Thus they fay ...
... tion of a Syllable ; for if a Syllable be , as they fay , those compleat and distinct Souva's which unite in the Forma- tion of Words , almost all the Rules they lay down for dividing Words into Syllables , are falfe . Thus they fay ...
Page 143
... tion must yet neceffarily break in upon " the Propriety of reciting Poetry , if poet- " ical Paufe and Cadence are to be in any Degree obferved , in Reading . " " C It is very true , it would fo , in the Re- cital of moft Poetry ...
... tion must yet neceffarily break in upon " the Propriety of reciting Poetry , if poet- " ical Paufe and Cadence are to be in any Degree obferved , in Reading . " " C It is very true , it would fo , in the Re- cital of moft Poetry ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written