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Page 38
... pronounced in a higher Tone than others . That they are pronounced . louder , more forcibly , and fometimes longer than the reft , is very true : But nothing is more common than to find an ac- cented Syllable in the very Place where ...
... pronounced in a higher Tone than others . That they are pronounced . louder , more forcibly , and fometimes longer than the reft , is very true : But nothing is more common than to find an ac- cented Syllable in the very Place where ...
Page 42
... pronounced with a lefs Cavity of the Mouth than the Vowels ; and that , thence having a sharper Tone , they cannot be pronounced with a Vowel without forming a double Sound , notwithstanding both are pronounced with one Expiration of ...
... pronounced with a lefs Cavity of the Mouth than the Vowels ; and that , thence having a sharper Tone , they cannot be pronounced with a Vowel without forming a double Sound , notwithstanding both are pronounced with one Expiration of ...
Page 185
... pronounced with " a falling Voice ; and is pronounced in " that Manner by every one of Taste , " without Inftruction + . ' We are farther repeatedly told , by the fame Writer , a few Lines after , that " the " Art of pronouncing with ...
... pronounced with " a falling Voice ; and is pronounced in " that Manner by every one of Taste , " without Inftruction + . ' We are farther repeatedly told , by the fame Writer , a few Lines after , that " the " Art of pronouncing with ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
16 other sections not shown
Other editions - View all
An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written