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Page 45
... naturally taken up in the Pro- nunciation of English Syllables . SECT.VI. Rules for determining the natural Length of articulate Voices or Syllables . From what hath been advanced in the preceding Section , the Reader will fee that the ...
... naturally taken up in the Pro- nunciation of English Syllables . SECT.VI. Rules for determining the natural Length of articulate Voices or Syllables . From what hath been advanced in the preceding Section , the Reader will fee that the ...
Page 175
... natural Pause , it degenerates into mere Profe . It appears , from the above Confidera- tions effential to the Harmony of Verfe , that the natural Paufes in the Expreffion fhould not be at too great a Distance . And hence it is that ...
... natural Pause , it degenerates into mere Profe . It appears , from the above Confidera- tions effential to the Harmony of Verfe , that the natural Paufes in the Expreffion fhould not be at too great a Distance . And hence it is that ...
Page 254
... natural Order . It will appear , however , on clofer Examination , that instead of natural , we should fay habitual : for this Order is different in dif- ferent Languages ; which , it is prefumed , would not be the Cafe , if our Words ...
... natural Order . It will appear , however , on clofer Examination , that instead of natural , we should fay habitual : for this Order is different in dif- ferent Languages ; which , it is prefumed , would not be the Cafe , if our Words ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written