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Page 56
... Syllables , Emphasis re- fpecting nothing less than whole Words , except in fome very particular Cafes , where the Emphafis and Accent arc It might be asked here , however , what is 56 Of the Nature and Ufe of Accent .
... Syllables , Emphasis re- fpecting nothing less than whole Words , except in fome very particular Cafes , where the Emphafis and Accent arc It might be asked here , however , what is 56 Of the Nature and Ufe of Accent .
Page 208
... less intelligible of the two , if not more inelegant , than false Emphases . This being the Cafe ; the articulate Pronunciation of every Word in a Sen- tence 1 tence is the Basis of all Speech ; and 208 Of the Abufe of Emphafis .
... less intelligible of the two , if not more inelegant , than false Emphases . This being the Cafe ; the articulate Pronunciation of every Word in a Sen- tence 1 tence is the Basis of all Speech ; and 208 Of the Abufe of Emphafis .
Page 315
... less than fix different Sounds in though , Soup , you , tough , could , thou . In like manner , the Modes of Articu- lation , ufually typified by Confonants , are fometimes expreffed by one or more others , whose common Mode is quite ...
... less than fix different Sounds in though , Soup , you , tough , could , thou . In like manner , the Modes of Articu- lation , ufually typified by Confonants , are fometimes expreffed by one or more others , whose common Mode is quite ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written