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Page 65
... hand - fome ; or thus , vent - ure , cent - er , rand - om , hands - ome . What , Mr. Sheridan means by the Seat of the Accent may , indeed , be worth at- tending to , as the Position of that Mark , in Orthography , may serve to fhew ...
... hand - fome ; or thus , vent - ure , cent - er , rand - om , hands - ome . What , Mr. Sheridan means by the Seat of the Accent may , indeed , be worth at- tending to , as the Position of that Mark , in Orthography , may serve to fhew ...
Page 276
... Hand in Hand they pass'd , the loveliest Pair That ever fince in Love's Embraces met ; Adam the goodlieft Man of Men fince born His Sons , the fairest of her Daughters EVE . Under a Tuft of Shade , that on a Green Stood whispering soft ...
... Hand in Hand they pass'd , the loveliest Pair That ever fince in Love's Embraces met ; Adam the goodlieft Man of Men fince born His Sons , the fairest of her Daughters EVE . Under a Tuft of Shade , that on a Green Stood whispering soft ...
Page 315
... hand , we fee the Letter a denote five different Sounds , in ball , bar , bard , day , what ; while the Combination oz hath no less than fix different Sounds in though , Soup , you , tough , could , thou . In like manner , the Modes of ...
... hand , we fee the Letter a denote five different Sounds , in ball , bar , bard , day , what ; while the Combination oz hath no less than fix different Sounds in though , Soup , you , tough , could , thou . In like manner , the Modes of ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
16 other sections not shown
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written