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Page 79
... first Syllable ; fuch are architect , aqueduct , beautify , circumfpect , enterprize , interview , intimate , intercourfe , manifold , manufcript , orthodox , retrogade , & c . It is very evident , however , on a bare Repetition of ...
... first Syllable ; fuch are architect , aqueduct , beautify , circumfpect , enterprize , interview , intimate , intercourfe , manifold , manufcript , orthodox , retrogade , & c . It is very evident , however , on a bare Repetition of ...
Page 80
... first and the last , and very juftly fo ; for , if the End of Emphasis and Accent be to convey the moft fignificant Parts of Sen- tences and Words forcibly and distinctly to the Ear , no Reason can be given why the first and last ...
... first and the last , and very juftly fo ; for , if the End of Emphasis and Accent be to convey the moft fignificant Parts of Sen- tences and Words forcibly and distinctly to the Ear , no Reason can be given why the first and last ...
Page 120
... first Member , which ends with 66 " " pnxdler , the three first Feet are Spon- dees , the fourth an Anapast , the fifth a Spondee , and the fixth a Cretic . And " in the fecond Member of the Sentence , " which begins with the Word iπaσ ...
... first Member , which ends with 66 " " pnxdler , the three first Feet are Spon- dees , the fourth an Anapast , the fifth a Spondee , and the fixth a Cretic . And " in the fecond Member of the Sentence , " which begins with the Word iπaσ ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written