From inside the book
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Page 21
... fall into a cer- tain Kind of Modulation , agreeable to the Modification of the Language , and the Formation of the Organs . SECT . III . Of the Modulation of SPEECH , and the Distinction between SPEAKING and SINGING . There is this ...
... fall into a cer- tain Kind of Modulation , agreeable to the Modification of the Language , and the Formation of the Organs . SECT . III . Of the Modulation of SPEECH , and the Distinction between SPEAKING and SINGING . There is this ...
Page 42
... falling under óne Accent , and pronounced at once , or at one Motion of the Breath . Others have defined it as an ... falls to the Ground . The true 42 Of the Length of Syllables .
... falling under óne Accent , and pronounced at once , or at one Motion of the Breath . Others have defined it as an ... falls to the Ground . The true 42 Of the Length of Syllables .
Page 56
... fall , " that Syllable ( be its natural Quantity " what it will ) is , in that Place confi- " dered as long ; and ... falling on Syllables , Emphasis re- fpecting nothing less than whole Words , except in fome very particular Cafes ...
... fall , " that Syllable ( be its natural Quantity " what it will ) is , in that Place confi- " dered as long ; and ... falling on Syllables , Emphasis re- fpecting nothing less than whole Words , except in fome very particular Cafes ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
16 other sections not shown
Other editions - View all
An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written