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Page 5
... Expression in the other : For it is here to be obferved , that what is ill written can never be well read ; for which Reason we should not be too ready to cen- fure the indifferent Readers of indifferent Writings . It is very certain ...
... Expression in the other : For it is here to be obferved , that what is ill written can never be well read ; for which Reason we should not be too ready to cen- fure the indifferent Readers of indifferent Writings . It is very certain ...
Page 207
John Rice. fays , by no Man , it would not be expressed fo emphatically . To express a Thing emphatically , how- ever , we must not follow the Rule here practised of laying an exclufive Stress upon the Words introduced to give Energy to ...
John Rice. fays , by no Man , it would not be expressed fo emphatically . To express a Thing emphatically , how- ever , we must not follow the Rule here practised of laying an exclufive Stress upon the Words introduced to give Energy to ...
Page 213
... expressed ; where it stands alone to form a Sentence of itself . Mr. Sheridan falls into a fimilar Error , with respect to the Particle but , in the Beginning of the next Verfe . I fhall give the Reader his whole Remarks , how- ever ...
... expressed ; where it stands alone to form a Sentence of itself . Mr. Sheridan falls into a fimilar Error , with respect to the Particle but , in the Beginning of the next Verfe . I fhall give the Reader his whole Remarks , how- ever ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written