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Page 63
... conceive that fin- gle Confonants poffeffed fuch a natural Difference , and that fo great , as to deter- mine the Efficacy of the Accent on the whole Syllable . Since when is it that Confonants have had any Sound at all in- dependent of ...
... conceive that fin- gle Confonants poffeffed fuch a natural Difference , and that fo great , as to deter- mine the Efficacy of the Accent on the whole Syllable . Since when is it that Confonants have had any Sound at all in- dependent of ...
Page 191
... conceive it extremely problema- tical whether Mr. Pope intended to con- vey the Senfation here hinted at , in the Word vaft in the firft Line . But be this as it will , the Liberty he took in making a long Syllable fhort in this Place ...
... conceive it extremely problema- tical whether Mr. Pope intended to con- vey the Senfation here hinted at , in the Word vaft in the firft Line . But be this as it will , the Liberty he took in making a long Syllable fhort in this Place ...
Page 243
... conceived leaving " out a particular Modification , precifely " as a Subject may be conceived leaving . out R 2 a9 Of Paufe , Cadence , Tone and Gesture . 343.
... conceived leaving " out a particular Modification , precifely " as a Subject may be conceived leaving . out R 2 a9 Of Paufe , Cadence , Tone and Gesture . 343.
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written