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Page 19
... consisting in a just and unaffected Imitation of natural Speech , it is expedient to enter first into a fhort Analysis of the Subject imitated : At least , so far as the Relation it bears to the imitative Art is concerned . Speaking may ...
... consisting in a just and unaffected Imitation of natural Speech , it is expedient to enter first into a fhort Analysis of the Subject imitated : At least , so far as the Relation it bears to the imitative Art is concerned . Speaking may ...
Page 94
... consists , are different from the Syllables into which Mr. Sheridan hath ' divided it . Thus , fup- pofing the Accent laid on the first Sylla- ble , we should say ar't - i - cu - là - tion ; if on the fecond , ar - tic - u - là - tion ...
... consists , are different from the Syllables into which Mr. Sheridan hath ' divided it . Thus , fup- pofing the Accent laid on the first Sylla- ble , we should say ar't - i - cu - là - tion ; if on the fecond , ar - tic - u - là - tion ...
Page 148
... consists of ten Sylla- bles , or ve Feet . When the Pause " falls on the fourth Syllable , we shall " find that we pronounce the fix last in " the fame Time that we do the four firft ; " fo that the Couplet is not only divided " into ...
... consists of ten Sylla- bles , or ve Feet . When the Pause " falls on the fourth Syllable , we shall " find that we pronounce the fix last in " the fame Time that we do the four firft ; " fo that the Couplet is not only divided " into ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written