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Page 25
... Articulation , be rendered longer or fhorter , Stronger or weaker ; but the Tone thereof will remain unväried . There ... articulate Sound depends not only on the Velocity of such Vibrations , or the Number of them in * About One - tenth ...
... Articulation , be rendered longer or fhorter , Stronger or weaker ; but the Tone thereof will remain unväried . There ... articulate Sound depends not only on the Velocity of such Vibrations , or the Number of them in * About One - tenth ...
Page 31
... Articulation , is to make a Diftinction in Sounds , be their Tone what it will , thereby to give a distinct and audible Utterance to all the feveral Voices of which the Words of a Lan- guage are compofed . By the articulate Voices of a ...
... Articulation , is to make a Diftinction in Sounds , be their Tone what it will , thereby to give a distinct and audible Utterance to all the feveral Voices of which the Words of a Lan- guage are compofed . By the articulate Voices of a ...
Page 34
... articulate , it is neceffary that it should , in every Cafe , have the fame Effi- cacy on the Ear ; that is , if the Vibrations of its Tone be flow and grave , they should continue proportionably longer on the Ear , or be more often ...
... articulate , it is neceffary that it should , in every Cafe , have the fame Effi- cacy on the Ear ; that is , if the Vibrations of its Tone be flow and grave , they should continue proportionably longer on the Ear , or be more often ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
16 other sections not shown
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written