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Page 68
... Sheridan goes ftill farther , and fays , whenever the Accent is on the Con- fonant ( that is , generally when the Con- fonant ends the Syllable ) the Sound , not only of the preceding Vowel , is always fhortened , but no other Vowel in ...
... Sheridan goes ftill farther , and fays , whenever the Accent is on the Con- fonant ( that is , generally when the Con- fonant ends the Syllable ) the Sound , not only of the preceding Vowel , is always fhortened , but no other Vowel in ...
Page 203
... Sheridan's Manner of emphasizing the Paffages in Difpute . The first Paffage mentioned by the Lecturer , is this : Enter not into Judg- ment with thy Servant , O Lord , for in thy Sight shall no Man living be justified . Here , fays Mr ...
... Sheridan's Manner of emphasizing the Paffages in Difpute . The first Paffage mentioned by the Lecturer , is this : Enter not into Judg- ment with thy Servant , O Lord , for in thy Sight shall no Man living be justified . Here , fays Mr ...
Page 223
John Rice. 1 ļ " To fuppofe , with Mr. Sheridan , that " the Allufion between the Light of the " Candle and that of Life ... Sheridan , is couched the follow- I ¢ ་ " " ing Meaning , This Prophet whom ing Of the Abufe of Emphafis . 223.
John Rice. 1 ļ " To fuppofe , with Mr. Sheridan , that " the Allufion between the Light of the " Candle and that of Life ... Sheridan , is couched the follow- I ¢ ་ " " ing Meaning , This Prophet whom ing Of the Abufe of Emphafis . 223.
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written