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Page 27
... Sentence , or capital Part of a Sentence , or Period ; and that the Key is changed in Reading as the Subject varies Not that the Voice is elevated and de- preffed on the particular Words of a Sentence pronounced in that Key ; much lefs ...
... Sentence , or capital Part of a Sentence , or Period ; and that the Key is changed in Reading as the Subject varies Not that the Voice is elevated and de- preffed on the particular Words of a Sentence pronounced in that Key ; much lefs ...
Page 120
... Sentence ( fays he ) is , that " each Member of it is compofed of the " moft fublime and generous Feet : For " in the first Member , which ends with 66 " " pnxdler , the three first Feet are Spon- dees , the fourth an Anapast , the ...
... Sentence ( fays he ) is , that " each Member of it is compofed of the " moft fublime and generous Feet : For " in the first Member , which ends with 66 " " pnxdler , the three first Feet are Spon- dees , the fourth an Anapast , the ...
Page 197
... Sentence spoken : Next to this , the Relation which the Sentence immediately read or fpoken , bears to the Context or Converfation . Thus we will suppose I mean to fay , I in- tend to go to London . It is plain that as my firft ...
... Sentence spoken : Next to this , the Relation which the Sentence immediately read or fpoken , bears to the Context or Converfation . Thus we will suppose I mean to fay , I in- tend to go to London . It is plain that as my firft ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written