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Page 45
... Rules refpecting the Time naturally taken up in the Pro- nunciation of English Syllables . SECT.VI. Rules for determining the natural Length of articulate Voices or Syllables . From what hath been advanced in the preceding Section , the ...
... Rules refpecting the Time naturally taken up in the Pro- nunciation of English Syllables . SECT.VI. Rules for determining the natural Length of articulate Voices or Syllables . From what hath been advanced in the preceding Section , the ...
Page 101
... Rule or established Mode of Pro- nunciation in our own Tongue : In which Cafe , the Propriety of abiding by a gene- ral ... Rules by which the Writers on English Profody haye determined the Quantity of Syllables , H 3 the the following ...
... Rule or established Mode of Pro- nunciation in our own Tongue : In which Cafe , the Propriety of abiding by a gene- ral ... Rules by which the Writers on English Profody haye determined the Quantity of Syllables , H 3 the the following ...
Page 154
... Rules laid down for the harmonious Diversification of fuch Paufes are as arbi- trary , and as inconfiftent with natural Ex- preffion , as those which concern the Suc- ceffion and Combination of the Measures ; nor are Writers agreed even ...
... Rules laid down for the harmonious Diversification of fuch Paufes are as arbi- trary , and as inconfiftent with natural Ex- preffion , as those which concern the Suc- ceffion and Combination of the Measures ; nor are Writers agreed even ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
16 other sections not shown
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written