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Page 24
... Reason why the Tone of the Voice is formed at the Glottis , Its . Aperture is fo very fmall , in Comparison with the Width of the Trachea , that the Air can never get out of the latter with- out a prodigious Compreffion , and of course ...
... Reason why the Tone of the Voice is formed at the Glottis , Its . Aperture is fo very fmall , in Comparison with the Width of the Trachea , that the Air can never get out of the latter with- out a prodigious Compreffion , and of course ...
Page 81
... they make fuch pompous Pretenfions . We laugh , as the Satirist observes , at a Parcel of Sheep when they precipitately follow each other , G for for no other Reason than that the Bella Weather took and its pretended Ufe . 8t.
... they make fuch pompous Pretenfions . We laugh , as the Satirist observes , at a Parcel of Sheep when they precipitately follow each other , G for for no other Reason than that the Bella Weather took and its pretended Ufe . 8t.
Page 82
John Rice. for no other Reason than that the Bella Weather took the Leap before them : And yet the greater Part of our pretended Improvements in Literature are little else than a careless Repetition of what others have faid as carelefly ...
John Rice. for no other Reason than that the Bella Weather took the Leap before them : And yet the greater Part of our pretended Improvements in Literature are little else than a careless Repetition of what others have faid as carelefly ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written