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Page 146
... Place of Time , the Poet frequently neglects the ftrict Obfer- vance of Time in Poems that are to be read ; and , on ... Place of the fort and unaccented , but even two Syllables put in the Place of one , and fung fung to one Note , and ...
... Place of Time , the Poet frequently neglects the ftrict Obfer- vance of Time in Poems that are to be read ; and , on ... Place of the fort and unaccented , but even two Syllables put in the Place of one , and fung fung to one Note , and ...
Page 166
... place , in fuch Languages as would admit of it , in Proportion as the People grew civilized , and the Arts began to make themselves known . Hence in the polished Nations of ancient Greece and Rome , we find the Mode of Time or Quantity ...
... place , in fuch Languages as would admit of it , in Proportion as the People grew civilized , and the Arts began to make themselves known . Hence in the polished Nations of ancient Greece and Rome , we find the Mode of Time or Quantity ...
Page 215
... place an Emphasis on if in the firft Part of the Sentence ,. fhould , as the Reviewers very justly observe , have induced him to place a fimilar one on the fame Particle in the P 4 fecond fecond Part , as it is equally emphatical in ...
... place an Emphasis on if in the firft Part of the Sentence ,. fhould , as the Reviewers very justly observe , have induced him to place a fimilar one on the fame Particle in the P 4 fecond fecond Part , as it is equally emphatical in ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written