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Page 155
John Rice. tween Pauses and Semi - paufes . But Paufes are not exactly fplit in two , any more than Syllables ; but are ... Pause be deemed effential to fuch Verfe . It is afferted , as before obferved , by Johnfon and others , that the ...
John Rice. tween Pauses and Semi - paufes . But Paufes are not exactly fplit in two , any more than Syllables ; but are ... Pause be deemed effential to fuch Verfe . It is afferted , as before obferved , by Johnfon and others , that the ...
Page 237
... Pause of the Objects , re- prefented is very easily confounded with that of the Mind which reprefents " them , and this without Danger of " prejudicing the Number of the Dif " courfe , nevertheless the Mind has its " Paufe peculiar to ...
... Pause of the Objects , re- prefented is very easily confounded with that of the Mind which reprefents " them , and this without Danger of " prejudicing the Number of the Dif " courfe , nevertheless the Mind has its " Paufe peculiar to ...
Page 239
... Pause of the Object , and that of the " Refpiration , are blended together in that " of the Mind , which still ... Pauses of the Ear , the Abbé obferves , that they depend Rhime , as in modern Verfe , either on or in the Obfervance ...
... Pause of the Object , and that of the " Refpiration , are blended together in that " of the Mind , which still ... Pauses of the Ear , the Abbé obferves , that they depend Rhime , as in modern Verfe , either on or in the Obfervance ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written