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Page 194
John Rice. to the Ideas or Objects they serve to re- prefent . Now the Art of Reading , being in fact the Art of converting Writing into Speech , the Relation which the living Voice bears to the dead Letter , becomes a very peculiar Object ...
John Rice. to the Ideas or Objects they serve to re- prefent . Now the Art of Reading , being in fact the Art of converting Writing into Speech , the Relation which the living Voice bears to the dead Letter , becomes a very peculiar Object ...
Page 239
... Object , and that of the " Refpiration , are blended together in that " of the Mind , which still continues its 66 Progrefs , though the Objects are di- " vided , and the Pronunciation ftops " to give breathing Time : this occafions . a ...
... Object , and that of the " Refpiration , are blended together in that " of the Mind , which still continues its 66 Progrefs , though the Objects are di- " vided , and the Pronunciation ftops " to give breathing Time : this occafions . a ...
Page 274
... Objects defcribed : but in reciting fuch Defcriptions to others , they should confider only the effect of their Recital on their carers ; to engage whofe Attention to the Objects is the Bufinefs of the Reader . Who can read the ...
... Objects defcribed : but in reciting fuch Defcriptions to others , they should confider only the effect of their Recital on their carers ; to engage whofe Attention to the Objects is the Bufinefs of the Reader . Who can read the ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
16 other sections not shown
Other editions - View all
An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written