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Page 88
... Mode of Speaking : Whereas , fuch as are only verfed in the colloquial Methods of Pro- nunciation , are strangely at a Loss when they come to read aloud , or to speak in public . The Difference between the colloquial and the folemn Modes ...
... Mode of Speaking : Whereas , fuch as are only verfed in the colloquial Methods of Pro- nunciation , are strangely at a Loss when they come to read aloud , or to speak in public . The Difference between the colloquial and the folemn Modes ...
Page 313
... Modes of Sound , or that Mode indicated by the Vowels , I have not been able as yet to find one Syllable in all the Words of our Language , as they are pronounced by the most polished Speakers , the Mode of which is not included in fome ...
... Modes of Sound , or that Mode indicated by the Vowels , I have not been able as yet to find one Syllable in all the Words of our Language , as they are pronounced by the most polished Speakers , the Mode of which is not included in fome ...
Page 315
... Modes of Articu- lation , ufually typified by Confonants , are fometimes expreffed by one or more others , whose common Mode is quite dif- ferent . Thus GH and PH in Writing , fre- quently denote the Power of F in Speech : as in ...
... Modes of Articu- lation , ufually typified by Confonants , are fometimes expreffed by one or more others , whose common Mode is quite dif- ferent . Thus GH and PH in Writing , fre- quently denote the Power of F in Speech : as in ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written