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Page 237
... Mind which reprefents " them , and this without Danger of " prejudicing the Number of the Dif " courfe , nevertheless the Mind has its " Paufe peculiar to itself , and quite " diftinct from that of the Object . " Like a Painter , it ...
... Mind which reprefents " them , and this without Danger of " prejudicing the Number of the Dif " courfe , nevertheless the Mind has its " Paufe peculiar to itself , and quite " diftinct from that of the Object . " Like a Painter , it ...
Page 239
... Mind not 66 being at the End or Boundary of its Operation till after Fruit . There is a " Pause for the Object after Plant , and .66 another after long ; there is one for the " Respiration after Heaven , and , lastly , " another for the ...
... Mind not 66 being at the End or Boundary of its Operation till after Fruit . There is a " Pause for the Object after Plant , and .66 another after long ; there is one for the " Respiration after Heaven , and , lastly , " another for the ...
Page 255
John Rice. which our Ideas arise , and combine them- felves in the Mind * . The Abbé Batteaux makes a Diftinc- tion , indeed , between the Order in which our Ideas arife in the Mind , and that in which they flow from us , when they are ...
John Rice. which our Ideas arise , and combine them- felves in the Mind * . The Abbé Batteaux makes a Diftinc- tion , indeed , between the Order in which our Ideas arife in the Mind , and that in which they flow from us , when they are ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written