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Page 77
... Methods are the beft , " as it may turn our Attention to a " Point hitherto little confidered , and yet " which is ... Method of accenting Syllables , one of which confists in dwelling longer upon one Syllable than the reft ? cent cent ...
... Methods are the beft , " as it may turn our Attention to a " Point hitherto little confidered , and yet " which is ... Method of accenting Syllables , one of which confists in dwelling longer upon one Syllable than the reft ? cent cent ...
Page 87
... Method of Pronunciation here re- commended , is , indeed , objected to by fome , as pedantic and formal , and there- fore they teach Perfons to pronounce all Words just as they are hurried over in çommon Conversation . There is a very ...
... Method of Pronunciation here re- commended , is , indeed , objected to by fome , as pedantic and formal , and there- fore they teach Perfons to pronounce all Words just as they are hurried over in çommon Conversation . There is a very ...
Page 283
... Method might be preferable ; but I am perfuaded that a truly pious rational Di- vine , would rather difiifs his Hearers coolly convinced of the Truth , and ftedfaftly determined to Religion , than warmly per- fuaded by his Eloquence ...
... Method might be preferable ; but I am perfuaded that a truly pious rational Di- vine , would rather difiifs his Hearers coolly convinced of the Truth , and ftedfaftly determined to Religion , than warmly per- fuaded by his Eloquence ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written