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Page 9
... Manner , that the Auditors , at the Time of Hearing , might conceive it then first spoken by the Perfon : reciting , or at least in fuch a Manner as the Person , first speaking it , would natu- rally have uttered it . Now , this Art ...
... Manner , that the Auditors , at the Time of Hearing , might conceive it then first spoken by the Perfon : reciting , or at least in fuch a Manner as the Person , first speaking it , would natu- rally have uttered it . Now , this Art ...
Page 144
... Manner un- intelligible , is , that they would thus be deprived of the most effential Part of oral Expreffion , which confifts in laying the Strefs or Emphasis of Voice on Words or Syllables , in Proportion as they are fig- nificant ...
... Manner un- intelligible , is , that they would thus be deprived of the most effential Part of oral Expreffion , which confifts in laying the Strefs or Emphasis of Voice on Words or Syllables , in Proportion as they are fig- nificant ...
Page 237
... Manner , they ought not be be drawn feparately , and diftinguished from each " other in the fame Manner as in a Piece “ of Painting ? 68 " " " Though the Pause of the Objects , re- prefented is very easily confounded with that of the ...
... Manner , they ought not be be drawn feparately , and diftinguished from each " other in the fame Manner as in a Piece “ of Painting ? 68 " " " Though the Pause of the Objects , re- prefented is very easily confounded with that of the ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written