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Page 21
... Kind of Modulation , agreeable to the Modification of the Language , and the Formation of the Organs . SECT . III . Of the Modulation of SPEECH , and the Distinction between SPEAKING and SINGING . There is this Difference between the ...
... Kind of Modulation , agreeable to the Modification of the Language , and the Formation of the Organs . SECT . III . Of the Modulation of SPEECH , and the Distinction between SPEAKING and SINGING . There is this Difference between the ...
Page 69
... Kind of Propriety * , as , in common Converfation , the long and fhort Sound of the Vowels are frequently thus confounded . Hence , People may sometimes fay empir for em'pīre , ensin for en'sign ; but then no Difference is made be ...
... Kind of Propriety * , as , in common Converfation , the long and fhort Sound of the Vowels are frequently thus confounded . Hence , People may sometimes fay empir for em'pīre , ensin for en'sign ; but then no Difference is made be ...
Page 319
John Rice. gcive a kind of Articulation , and might with as great Propriety be called articu- late Expirations . N ° 10 and 11 , or v and f , are of the fame Kind , only differently modified be- tween the Teeth and Lips , as the pre ...
John Rice. gcive a kind of Articulation , and might with as great Propriety be called articu- late Expirations . N ° 10 and 11 , or v and f , are of the fame Kind , only differently modified be- tween the Teeth and Lips , as the pre ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written