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Page 25
... Effect from the Velocity of the Vibrations which cause it , without regard to the Sum or Duration of thofe Vibrations : Whereas the Effect of an articulate Sound depends not only on the Velocity of such Vibrations , or the Number of ...
... Effect from the Velocity of the Vibrations which cause it , without regard to the Sum or Duration of thofe Vibrations : Whereas the Effect of an articulate Sound depends not only on the Velocity of such Vibrations , or the Number of ...
Page 30
... Effect in the Compofitions of our Orators and Poets . Its Beauties are , indeed , of a superior Nature , and are often productive of the moft ftriking Effects , by interfering or breaking through that metrical Succef- fion or mechanical ...
... Effect in the Compofitions of our Orators and Poets . Its Beauties are , indeed , of a superior Nature , and are often productive of the moft ftriking Effects , by interfering or breaking through that metrical Succef- fion or mechanical ...
Page 175
... Effect , without ever breaking in upon the Beauty of the natu- ral Expreffion ; whereas , in the Structure of an heroic Verfe of ten Syllables , the Verfe is either divided by a Pause into Hemiftics , or , if it admit no natural Pause ...
... Effect , without ever breaking in upon the Beauty of the natu- ral Expreffion ; whereas , in the Structure of an heroic Verfe of ten Syllables , the Verfe is either divided by a Pause into Hemiftics , or , if it admit no natural Pause ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written