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Page 7
... Discourse ; his Reading having the fame Precision and Energy as his Conversation . Thus a good Actor , who perfectly comprehends his Au- thor , and enters into the Spirit of the Cha- This Rule is not , indeed , without fome Exceptions ...
... Discourse ; his Reading having the fame Precision and Energy as his Conversation . Thus a good Actor , who perfectly comprehends his Au- thor , and enters into the Spirit of the Cha- This Rule is not , indeed , without fome Exceptions ...
Page 39
... Discourse ; yet it is not pretended that all Syllables , or fimple Sounds , are of the fame Tone , or that we fhould not , in pronouncing D 4 them them feverally , found one in a more grave or Of the Length of Syllables . 39.
... Discourse ; yet it is not pretended that all Syllables , or fimple Sounds , are of the fame Tone , or that we fhould not , in pronouncing D 4 them them feverally , found one in a more grave or Of the Length of Syllables . 39.
Page 218
... Discourse , without making a per- ceptible Paufe after it . How much " more would this Practice become those " who are engaged in the folemn Act of " Public Worship ? and how much would " it add to the Solemnity of that Wor- fhip ? In ...
... Discourse , without making a per- ceptible Paufe after it . How much " more would this Practice become those " who are engaged in the folemn Act of " Public Worship ? and how much would " it add to the Solemnity of that Wor- fhip ? In ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written