From inside the book
Results 1-3 of 12
Page 60
... some- thing to do with Tune . But the Truth is , that all accented Syllables , whether long or fhort , are pronounced fuller or louder than others . Suppofing them , therefore , to be all accented equally , i . e . to be pro- nounced ...
... some- thing to do with Tune . But the Truth is , that all accented Syllables , whether long or fhort , are pronounced fuller or louder than others . Suppofing them , therefore , to be all accented equally , i . e . to be pro- nounced ...
Page 151
... some of the above Lines , because the Accents in the Beginning of them lie upon the fame Syllables ; e . g . Great in the Earth Warms in the Sun Glows in the Stars If the Seat of the Accents , however , be varied , let the Equality of ...
... some of the above Lines , because the Accents in the Beginning of them lie upon the fame Syllables ; e . g . Great in the Earth Warms in the Sun Glows in the Stars If the Seat of the Accents , however , be varied , let the Equality of ...
Page 300
... some Diffi- culty ; as it is that , in which our Poets and Players betray moft Defects . This is the Soliloquy . By ... Some Some Critics have objected to the In- troduction of Soliloquies 300 Of Theatrical Declamation .
... some Diffi- culty ; as it is that , in which our Poets and Players betray moft Defects . This is the Soliloquy . By ... Some Some Critics have objected to the In- troduction of Soliloquies 300 Of Theatrical Declamation .
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
16 other sections not shown
Other editions - View all
An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written