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Page 187
... should be adopted by which particular Words , fig- nifying Dejection or Depreffion , should * The Term elevated is here very equivocal . There are doubtless many very fublime Paffages , if we regard the Sentiment only , which it might ...
... should be adopted by which particular Words , fig- nifying Dejection or Depreffion , should * The Term elevated is here very equivocal . There are doubtless many very fublime Paffages , if we regard the Sentiment only , which it might ...
Page 188
... should , indeed , " be always in Accord with the Sense ; " but they should accompany , not mimic " it . As the Movements of a good Dancer Remarks on the Beauties of Poetry , Page 52 . are " are governed by the Mufic , fo the " 188 Of ...
... should , indeed , " be always in Accord with the Sense ; " but they should accompany , not mimic " it . As the Movements of a good Dancer Remarks on the Beauties of Poetry , Page 52 . are " are governed by the Mufic , fo the " 188 Of ...
Page 299
... should be sorry for There is no Terror , Caffius , in your Threats ; For I am arm'd fo ftrong in Honesty , That they pass by me , as the idle Wind , Which I refpect not . I did fend to you For certain Sums of Gold , which you deny'd me ...
... should be sorry for There is no Terror , Caffius , in your Threats ; For I am arm'd fo ftrong in Honesty , That they pass by me , as the idle Wind , Which I refpect not . I did fend to you For certain Sums of Gold , which you deny'd me ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written