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Page 33
... Spring unbends itself with the same Force with which it is bent : But it is always understood within a certain Degree , confiftent with the Form and Elafticity of it . D Το To effect this , however , i . e . of Articulation . 33.
... Spring unbends itself with the same Force with which it is bent : But it is always understood within a certain Degree , confiftent with the Form and Elafticity of it . D Το To effect this , however , i . e . of Articulation . 33.
Page 50
... same Length as if their final e was inferted be- tween the two preceding Confonants , and are accordingly short Syllables . 7. Syllables containing genuine Diph- thongs ( by which I mean those wherein the deng , dang , dong , dung , the ...
... same Length as if their final e was inferted be- tween the two preceding Confonants , and are accordingly short Syllables . 7. Syllables containing genuine Diph- thongs ( by which I mean those wherein the deng , dang , dong , dung , the ...
Page 91
... same Opinion in this refpect with Mr. Sheri- dan ; laying it down as a general Obser- vation , that a Word of whatever Number of Syllables , is not accented upon morę than one of them . " Nor is this Prac- " tice , fays his Lordship ...
... same Opinion in this refpect with Mr. Sheri- dan ; laying it down as a general Obser- vation , that a Word of whatever Number of Syllables , is not accented upon morę than one of them . " Nor is this Prac- " tice , fays his Lordship ...
Contents
Obfervations on the Defects and Perfection | 1 |
The Analysis of SPEECH | 19 |
1 | 28 |
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An Introduction to the Art of Reading with Energy and Propriety (1765) John Rice No preview available - 2009 |
Common terms and phrases
Accent according admit alfo alſo ancient appear articulate Attention Author better bles Cafe called common Compofition conceive confidered confifts Confonant depends diftinct divided Effect Emphaſis emphatical Engliſh equally evident Expreffion fall fame Feet fhall fhort fhould fimple firſt fome Force former frequently fuch fuppofe give greater hand Harmony hath Hence Idea Importance Inftance Kind laid Language latter laying Length Line loud Manner Meaning Meaſure merely Method Mind Mode moft moſt Mufic muſt natural never Note Numbers obferved Objects Order Paffage Paffions particular Paufe Pauſe Perfons Place Poetry Poets Point Power pronounced Pronunciation Propriety Quantity Reader Reading Reaſon reciting regard require Rhime Rules Senfe Sentence Sheridan ſhort Sound Speaker Speaking Speech Subject Succeffion Syllables thefe theſe Thing thofe thoſe tion Tone Tongue true Utterance Verfe Verſes Voice Vowel whole Words Writer written