Page images
PDF
EPUB

What shall be right: farthest from him is best;
Whom reason hath equalled, force hath made supreme
Above his equals. Farewell, happy fields,
Where joy for ever dwells! Hail, horrors! hail,
Infernal world! and thou, profoundest Hell,
Receive thy new possessor; one who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself

Can make a Heaven of Hell, a Hell of Heaven.
What matter where, if I be still the same,
And what I should be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; th' Almighty hath not built
Here for his envy; will not drive us hence:
Here we may reign secure; and in my choice
To reign is worth ambition, though in Hell:
Better to reign in Hell, than serve in Heaven!

which we have felt the duty of this delightful conformity; and if there be no such principle in our nature, by which we discover the duty of the conformity, it is surely very evident that there can be no such duty to be felt, any more than there can be colour to the blind, or melody to the deaf."

248. Whom reason hath equalled.] "Whom" is here used as a compound relative for "him, whom reason hath," &c. Reason, in the sense of what is just and right.

[merged small][merged small][merged small][ocr errors][merged small][merged small][merged small]

250

255

260

257. All but less.] There is no dignity to which the lost archangel does not think himself equal, though he must confess that he is less than God; but the difference is, that "thunder," mere brute force, as it were, has made him, pro tanto, his superior.

262. To reign is worth ambition.] Ambition, from am, round about, and itum, to go, means love of power, because, in Ancient Rome, candidates for any public office had to go about soliciting votes. "The highest honours and emoluments," says Isaac Taylor,

[ocr errors]

for which there are inany competitors, and which are, therefore, watched and guarded by many eager, expectant eyes, are not, like the common goods of life, and which are the objects of industry, to be obtained in a straightforward course by whoever will take the trouble to seek them; but by such a going round about as shall escape the notice of others, until the aspirant has nearly attained his object."

263. Better to reign in Hell, &c.] This same idea has been traced to Prometheus in ÆSCHYLUS, but it seems to me rather to be imitated from Cæsar's famous declaration. "There is a story that as Cæsar was crossing the Alps he passed by a srall barbarian town

But wherefore let we then our faithful friends,
Th' associates and copartners of our loss,
Lie thus astonished on th' oblivious pool,
And call them not to share with us their part
In this unhappy mansion; or once more
With rallied arms to try what may be yet
Regained in Heaven, or what more lost in Hell?"
So Satan spake, and him Beëlzebub

Thus answered. "Leader of those armies bright,
Which but th' Omnipotent none could have foiled,
If once they hear that voice, their liveliest pledge
Of hope in fears and dangers, heard so oft
In worst extremes, and on the perilous edge
Of battle when it raged, in all assaults
Their surest signal, they will soon resume
New courage, and revive, though now they lie
Grovelling and prostrate on yon lake of fire,
As we erewhile, astounded and amazed;
No wonder, fallen such a pernicious height."

He scarce had ceased when the superior Fiend

Was moving toward the shore; his pond'rous shield,

[blocks in formation]

265

270

275

280

been expended in determining whether the name ought to end with a b or an 7; with what result the curious reader will see in KITTO's Cyclopædia.

276. On the perilous edge of battle.] This is a Latinism, or rather the translation of the Latin word acies; primarily, the sharp edge of any thing, e. g. a sword; secondarily, an army in battle array; and hence, thirdly, a battle simply.

281. Astounded and amazed.] "Astounded" is probably connected with the verb to stun.-See RICHARDSON. They were stunned, or rendered insensible by the fall, and, when they recovered consciousness, very much "amazed" to find themselves where they were.

282. Height is the objective case, from being understood after fallen. This construction is rather a favourite one with Milton. We have it again Book III. 1. 14.: "Escaped the Stygian pool," and in many other places. "All words denoting measure or value, whether of time, space, or money, are capable of being put in the

Ethereal temper, massy, large, and round,

Behind him cast; the broad circumference
Hung on his shoulders like the moon, whose orb
Through optic glass the Tuscan artist views
At evening from the top of Fesolé,
Or in Valdarno, to descry new lands,

Rivers, or mountains, on her spotty globe.
His spear (to equal which the tallest pine
Hewn on Norwegian hills, to be the mast
Of some great ammiral, were but a wand)

objective, a preposition being under-
stood."-CONNON'S Eng. Gram. § 215.
"Pernicious" in the Latin sense
of destructive, ruinous, dangerous.

285. Ethereal temper.] The preposition" of " seems to be understood here; of ethereal temper: shield is in the nominative absolute.

286-291. The broad circumference.] The Tuscan artist is Galileo; Fesolé, or, as it is more commonly written, Fiesolé, is a town in Tuscany, near Florence, on a steep hill (to which the name is also applied) commanding a fine view of Valdarno that is, the valley of the Arno. Observe the beauty of the words, as mere words, Fesolé and Valdarno. Milton had travelled in these parts in early manhood, and his sympathy with Galileo would make him anxious to transmit his memory to everlasting fame. In the noblest of all his prose worksThe Liberty of Unlicensed Printingreferring to his stay in Florence, Milton says, "There it was that I found and visited the famous Galileo, grown old, a prisoner to the Inquisition, for thinking in astronomy otherwise than the Franciscan and Dominican licensers thought." I know not how it would look on canvas, but to the "mind's eye there cannot be a finer picture than this interview between

The starry Galileo with his woes,

and young Milton, "the most accomplished Englishman that ever visited the classical shores of Italy." Milton's contempt of priestcraft, and its natural concomitant, tyranny, which was beginning to appear before he set out on his

285

290

travels, was nothing lessened, we may be sure, from the converse he held with "the Tuscan artist," when he heard him recount the years of suffering he had endured for (such a crime!) "thinking in astronomy," which had been the study of his life, "otherwise" than a set of monks who were not bound to know that science, and who, in point of fact, knew little else-being, as Sallust says, dediti ventri atque somno, indocti, incultique.

291. Her spotty globe.]

"Galileo's

glass taught him to believe that the surface of this planet, far from being smooth and polished, as was generally taken for granted, really resembled our earth in its structure. He was able distinctly to trace on it the outlines of mountains and other inequalities, the summits of which reflected the rays of the sun before these reached the lower parts, and the sides of which, turned from his beams, lay buried in deep shadow.". BETHUNE'S Life of Galileo.

-

292. Spear is in the objective, being under the regimen of "walked with." He walked with his spear (in comparison with which the loftiest pine, &c.), to enable him to support his uneasy steps, &c.-Compare TASSO'S Recovery of Jerusalem, book iii.

stanza xi.—

"Mast-great the spear was which the gallant bore,

That in his warlike pride he made to shake, As winds tall cedars toss on mountains hoar," &c.

294. Ammiral.] "Amiralls, or Admiralls: much difference there is about the original of this word, whilst most

He walked with, to support uneasy steps
Over the burning marle; not like those steps
On Heaven's azure; and the torrid clime
Smote on him sore besides, vaulted with fire:
Nathless he so endured, till on the beach
Of that inflaméd sea he stood, and called
His legions, Angel-forms, who lay entranced
Thick as autumnal leaves that strow the brooks
In Vallombrosa, where th' Etrurian shades,

295

300

High over-arched, imbower; or scattered sedge

Afloat, when with fierce winds Orion armed

305

Hath vexed the Red-Sea coast, whose waves o'erthrew Busiris and his Memphian chivalry,

While with perfidious hatred they pursued

The sojourners of Goshen, who beheld

From the safe shore their floating carcasses

310

And broken chariot wheels: so thick bestrown,
Abject and lost, lay these, covering the flood,
Under amazement of their hideous change.

probable their opinion, who make it of
Eastern extraction, borrowed by the
Christians from the Saracens. They
derive it from Amir, in Arabic a prince;
and Halios, Gr. belonging to the sea."-
Quoted by RICHARDSON from FULLER.
299. Nathless.] . e. Na-the-less,
(Sax.) now, nevertheless.

303. In Vallombrosa, &c.] "Etruria" is the ancient name of the district in Italy corresponding to the modern Tuscany. Vallombrosa means the vale of shades, just as Valparaiso means the vale of paradise. Having mentioned Fiesolé and Valdarno, Milton loves to linger in the place, with what feelings the student will better judge after reading the following passage from a work called Rome in the 19th Century. The book is by a lady, but the sentiments are thoroughly manly, and such as Milton himself would have been pleased with. "We gazed with no common interest at the convent on its utmost summit, where our own Milton spent many weeks in retirement, and where he loved to meditate amidst the Etruscan ruins of its ancient city,

"At evening on the top of Fesole." The long range of the snowy Apennines rose behind it, the glittering points of

The deep

which seemed to pierce the bright blue
sky; and the eye, pursuing in imagina.
tion the upward course of the Arno
through the wanderings of its beautiful
vale, seemed to penetrate into the deep
secluded recesses of Vallombrosa, amidst
whose ancient woods and haunted
stream the muse once visited Milton
in dreams of Paradise.
wintry snows of the Apennines at pre-
sent barred all approach to the now-
deserted convent; and we lamented
that we were too late to see the autum-
nal beauty of the fallen leaf in Val-
lombrosa.' No spot of his native land
recals our greatest poet so strongly to
mind as the scenes in the vicinity of
Florence, which he has consecrated in
immortal verse; and the remembrance
that Milton, in the days of his youthful
enthusiasm, while yet the fair face of
nature was open to his undarkened eye,
had wandered in these delightful vales,
felt all their enchantment, and drank
inspiration from their beauty, gave
them redoubled charms to our eyes."

304-311. Orion.] One of the constellations, represented by the figure of a man with a sword by his side. It was supposed by the ancients to be at tended with stormy weather. The con

He called so loud, that all the hollow deep
Of Hell resounded. "Princes, Potentates,

Warriors, the flower of Heaven, once yours, now lost,
If such astonishment as this can seize

Eternal Spirits or have ye chosen this place
After the toil of battle to repose

Your wearied virtue, for the ease you find
To slumber here, as in the vales of Heaven?
Or in this abject posture have ye sworn
To adore the Conqueror? who now beholds
Cherub and Seraph rolling in the flood
With scattered arms and ensigns, till anon
His swift pursuers from Heaven gates discern
Th' advantage, and, descending, tread us down,
Thus drooping; or with linked thunder-bolts,
Transfix us to the bottom of this gulf.
Awake, arise, or be for ever fallen!"

They heard, and were abashed, and up they sprung
Upon the wing, as when men, wont to watch,
On duty sleeping found, by whom they dread,
Rouse and bestir themselves ere well awake.

stellation of Orion set at the beginning of November, when storms were frequent. Busiris and his Memphian chivalry are here put for Pharaoh and his host, who perished when pursuing the "sojourners of Goshen." The facts are too well known to require further elucidation.

315

320

325

330

the expression of the sentiment, almost of the very image. They rise or fall, pause or hurry rapidly on, with exquisite art, but without the least trick or affectation, as the occasion seems to require."-HAZLITT'S Lectures on the English Poets.

325. Anon.] Probably in one (instant), i. e. immediately; or, at any rate, soon, by and bye.

328. Linked thunderbolts.] Alluding to the mode in which Jupiter was usually represented in ancient statues and medals, brandishing thunderbolts bound together, which he is ready to hurl at the object of his displeasure. The reader will see a representation of Jupiter with his "linked thunderbolts" on the title page of SMITH's Classical Dictionary (in one vol.).

314. He called so loud, that all the hollow deep of Hell resounded.] Observe the great preponderance of vowels and liquids. So far as language can represent sound, it is here effected in the most masterly manner. Only a poet with the fine musical ear of Milton could deliver himself of so many happy lines of this sort. The truth of the following criticism will force itself on any reader endowed with a moderately good musical ear at almost every page. "I imagine that there are more perfect examples in Milton of musical expression, or of an adaptation of the sound and movement of the verse to the meaning of the passage, than in all our other writers, whether of rhyme or blank verse, put together. * * * The sound of his lines is moulded into Dictionary.

"The

331. And were abashed.] past participle and past tense of abase was anciently written abaisit, abayschid; whence the word abash appears to be formed, and is applied to the feelings of those who are abased, depressed, disgraced, humbled."- RICHARDSON'S

« PreviousContinue »