APPENDICES. I. PREFACE PREFIXED TO THE FIVE FIRST IMPERFECT EDITIONS OF THE DUNCIAD, IN THREE BOOKS, PRINTED AT DUBLIN AND LONDON, IN OCTAVO AND DUODECIMO, 1727. THE PUBLISHER1 TO THE READER. Ir will be found a true observation, though somewhat surprising, that when any scandal is vented against a man of the highest distinction and character, either in the State or in literature, the public in general afford it a most quiet reception; and the larger part accept it as favourably as if it were some kindness done to themselves: whereas if a known scoundrel or blockhead but chance to be touched upon, a whole legion is up in arms, and it becomes the common cause of all scribblers, booksellers, and printers whatsoever. Who he was is uncertain; but Edward Ward tells us, in his preface to Durgen, "that most judges are of opinion this preface is not of English extraction, but Hibernian," &c. He means it was written by Dr. Swift, who, whether publisher or not, may be said in a sort to be author of the poem. For when he, together with Mr. Pope (for reasons specified in the Preface to their Miscellanies) determined to own the most trifling pieces in which they had any hand, and to destroy all that remained in their power; the first sketch of this poem was snatched from the fire by Dr. Swift, who persuaded his friend to proceed in it, and to him it was therefore inscribed. But the occasion of printing it was as follows: There was published in those Miscellanies, a Treatise of the Bathos, or Art of Sinking in Poetry, in which was a chapter, where the species of bad writers were ranged in classes, and initial letters of names prefixed, for the most part at random. But such was the number of poets eminent in that art, that some one or other took every letter to himself. All fell into so violent a fury, that for half a year, or more, the common newspapers (in most of which they had some property, as being hired writers), were filled with the most abusive falsehoods and scurrilities they could possibly devise; a liberty no ways to be wondered at in those people, and in those papers, that, for many years, during the uncontrolled licence of the press, had aspersed almost all the great characters of the age; and this with impunity, their own persons and names being utterly secret and obscure. This gave Mr. Pope the thought, that he had now some opportunity of doing good, by detecting and dragging into light these common enemies of mankind; since to invalidate this universal slander, it sufficed to show what contemptible men were the authors of it. He was not without hopes, that by manifesting the dulness of those who had only malice to recommend them; either the booksellers would not find their account in employing them, or the men themselves, when discovered, want courage to proceed in so unlawful an occupation. This it was that gave birth to the Dunciad; and he thought it an happiness, that by the late flood of slander on himself, he had acquired such a peculiar right over their names as was necessary to his design. Not to search too deeply into the reason hereof, I will only observe as a fact, that every week for these two months past, the town has been persecuted with pamphlets,' advertisements, letters, and weekly essays, not only against the wit and writings, but against the character and person of Mr. Pope. And that of all those men who have received pleasure from his works, which by modest computation may be about a hundred thousand * in these kingdoms of England and Ireland (not to mention Jersey, Guernsey, the Orcades, those in the New World, and foreigners who have translated him into their languages), of all this number not a man hath stood up to say one word in his defence. The only exception is the author3 of the following poem, who doubtless had either a better insight into the grounds of this clamour, or a better opinion of Mr. Pope's integrity, joined with a greater personal love for him, than any other of his numerous friends and admirers. Farther, that he was in his peculiar intimacy, appears from the knowledge he manifests of the most private authors of all the anonymous pieces against him, and from his having in this poem attacked' no man living, who had not before printed, or published, some scandal against this gentleman. How I came possessed of it, is no concern to the reader; but it would have been a wrong to him had I detained the publication; since those names which are its chief ornaments die off daily so fast, as must render it too soon unintelligible. If it provoke the author to give us a more perfect edition, I have my end. Who he is I cannot say, and (which is a great pity) there is certainly nothing in his style and manner of writing, which can distinguish or discover him for if it bears any resemblance to that of Mr. Pope, 'tis not improbable but it might be done on purpose, with a view to have it pass for his. But by the frequency of his allusions to Virgil, and a laboured (not to say affected) shortness in imitation of him, I should think him more an admirer of the Roman poet than of the Grecian, and in that not of the same taste with his friend. I have been well informed, that this work was the labour of full six years 1 See the list of those anonymous papers, with their dates and authors annexed, inserted before the poem. 2 It is surprising with what stupidity this preface, which is almost a continued irony, was taken by those authors. All such passages as these were understood by Curl, Cook, Cibber, and others, to be serious. Hear the Laureate (letter to Mr. Pope, p. 9), "Tho' I grant the Dunciad a better poem of its kind than ever was writ; yet, when I read it with those vain-glorious encumbrances of notes and remarks upon it, &c. it is amazing, that you, who have writ with such masterly spirit upon the ruling passion, should be so blind a slave to your own, as not to see how far a low avarice of praise," &c. (taking it for granted that the notes of Scriblerus and others, were the author's own). 3 A very plain irony, speaking of Mr. Pope himself. The publisher in these words went a little too far; but it is certain, whatever names the reader finds that are unknown to him, are of such; and the exception is only of two or three, whose dulness, impudent scurrility, or self-conceit, all mankind agreed to have justly entitled them to a place in the Dunciad. 5 This irony had small effect in concealing the author. The Dunciad, imperfect as it was, had not been published two days, but the whole town gave it to Mr. Pope. 6 This also was honestly and seriously believed by divers gentlemen of the Dunciad, J. Ralph, Pref. to Sawney: "We are told it was the labour of six years, with the utmost assiduity and application: it is no great compliment to the author's sense, to have employed so large a part of his life," &c. So also Ward, Pref. to Durgen, "The Dunciad, as the publisher very wisely confesses, cost the author six years' retirement from all the pleasures of life; though it is somewhat difficult to conceive, from either its bulk or beauty, that it could be so long in hatching, &c. But the length of time and closeness of application were men. of his life, and that he wholly retired himself from all the avocations and pleasures of the world, to attend diligently to its correction and perfection; and six years more he intended to bestow upon it, as it should seem by this verse of Statius, which was cited at the head of his manuscript, Oh mihi bissenos multum vigilata per annos, Duncia ! Hence also we learn the true title of the poem; which with the same certainty as we call that of Homer the Iliad, of Virgil the Æneid, of Camoens the Lusiad, we may pronounce, could have been, and can be no other than THE DUNCIAD. It is styled Heroic, as being doubly so; not only with respect to its nature, which, according to the best rules of the ancients, and strictest ideas of the moderns, is critically such; but also with regard to the heroical disposition and high courage of the writer, who dared to stir up such a formidable, irritable, and implacable race of mortals. There may arise some obscurity in chronology from the names in the poem, by the inevitable removal of some authors, and insertion of others, in their niches. For whoever will consider the unity of the whole design, will be sensible, that the poem was not made for these authors, but these authors for the poem. I should judge that they were clapped in as they rose, fresh and fresh, and changed from day by day; in like manner as when the old boughs wither, we thrust new ones into a chimney. I would not have the reader too much troubled or anxious, if he cannot decipher them; since when he shall have found them out, he will probably know no more of the persons than before. Yet we judged it better to preserve them as they are, than to change them for fictitious names; by which the satire would only be multiplied, and applied to many instead of one. Had the hero, for instance, been called Codrus, how many would have affirmed him to have been Mr. T., Mr. E., Sir R. B., &c.; but now all that unjust scandal is saved by calling him by a name, which by good luck happens to be that of a real person. tioned to prepossess the reader with a good opinion of it." They just as well understood what Scriblerus said of the poem. The prefacer to Curl's Key, p. 3, took this word to be really in Statius: "By a quibble on the word Duncia, the Dunciad is formed." Mr. Ward also follows him in the same opinion. II. A LIST OF BOOKS, PAPERS, AND VERSES, IN WHICH OUR AUTHOR WAS ABUSED, BEFORE THE PUBLICATION OF THE DUNCIAD; WITH THE TRUE NAMES OF THE AUTHORS. Reflections critical and satyrical on a late Rhapsody, called An Essay on Criticism. By Mr. Dennis, printed by B. Lintot, price 6d. A New Rehearsal, or Bays the younger; containing an Examen of Mr. Rowe's plays, and a word or two on Mr. Pope's Rape of the Lock. Anon. (by Charles Gildon), printed for J. Roberts, 1714, price 18. Homerides, or a Letter to Mr. Pope, occasioned by his intended translation of Homer. By Sir Iliad Dogrel (Tho. Burnet and G. Ducket, Esquires), printed for W. Wilkins, 1715, price 9d. Æsop at the Bear-garden; a vision, in imitation of the Temple of Fame. By Mr. Preston. Sold by John Morphew, 1715, price 6d. The Catholic Poet, or Protestant Barnaby's Sorrowful Lamentation : a Ballad about Homer's Iliad. By Mrs. Centlivre, and others, 1715, price 1d. An Epilogue to a Puppet-shew at Bath, concerning the said Iliad. By George Ducket, Esq., printed by E. Curl. A complete Key to the What d'ye call it. Anon. (by Griffin, a player, supervised by Mr. Th- -), printed by J. Roberts, 1715. A true Character of Mr. P. and his writings, in a letter to a friend. Anon. (Dennis), printed for S. Popping, 1716, price 3d. The Confederates, a Farce. By Joseph Gay (J. D. Breval) printed for R. Burleigh, 1717, price 18. Remarks upon Mr. Pope's translation of Homer; with two letters concerning the Windsor Forest, and the Temple of Fame. By Mr. Dennis, printed for E. Curl, 1717, price 1s. 6d. Satyrs on the translators of Homer, Mr. P. and Mr. T. Anon. (Bez. Morris) 1717, price 6d. The Triumvirate or, a Letter from Palæmon to Celia at Bath. Anon. (Leonard Welsted), 1711, folio, price 1s. The Battle of Poets, an heroic poem. By Tho. Cooke, printed for J. Roberts, folio, 1725. Memoirs of Lilliput. Anon. (Eliza Haywood), octavo, printed in 1727. An Essay on Criticism, in prose. By the Author of the Critical History of England (J. Oldmixon), octavo, printed 1728. Gulliveriana and Alexandriana; with an ample preface and critique on Swift and Pope's Miscellanies. By Jonathan Smedley, printed by J. Roberts, octavo, 1728. Characters of the Times; or, an account of the writings, characters, &c., of several gentlemen libelled by S-- and P——, in a late Miscellany. Octavo, 1728. Remarks on Mr. Pope's Rape of the Lock, in letters to a friend. By Mr. Dennis; written in 1724, though not printed till 1728, octavo. - Pore. |